Fragmentation. Not a pretty word under any conditions. A particularly scary word in reference to one's outer life.
I was approached today by a young woman teetering at the edge of this dramatic growth process.
While I invoked assistance for her growth and healing I listened to her express her understandable distress at what she called "a melt down".
There are times when the soul precipitates a process of destroying the unhealthy and rigid patterns of life in order to clear the ground for new healthier forms.
Clear signals advise us to stop, to be still - to desist. It is then unwise to ignore the prompting.
So easily said, yet such a difficult thing to do when the seeming solidity of financial and relationship pressure appear to conspire to keep us on the treadmill.
Yet it is vital for our progress that we do stop. Only then can we build the basis of trust on which the new life will be built. This trust springs from the point of realisation which arrives in the stillness. There we sense and know that life is constantly supporting our endeavour to be authentic - true to our essence.
"Take Heart" the old wisdom says.
Surrender and Let Life Lead you on.
In trust allow those disconnected pieces of the known and unknown reassemble into a fresh, functional and pleasing new design.
Drawing from Life continues with Chapter 19
Philip spoke to Rhona
a week later, after an art auction in Epsom. He mentioned Claus Petersen was
thinking of retiring, or realising some capital at the very least. She heard
his carefully non-committal voice, knowing he was suggesting the Devonport
gallery was worth buying.
"What makes you think I have the wherewithal
to be interested in this information?"
His light laugh was
there before the response: “I knew you would demand I show my hand. Your esteemed Aunt
did happen to mention that you are a woman of substance these days.”
Rhona made an effort
to sound severe. “You unscrupulous rogue and I thought you cared. I am
interested as it happens- under certain conditions.”
As they walked out
into the car park she stated her terms: firstly that Claus stayed on
at least until March, preferably longer and, secondly, being able to lease the
adjacent premises for a café. I could reopen the currently sealed connecting door
between the two."
Philip stood beside
her car and began a short exchange of sniper fire. "Did you know there
were tea rooms there in the past?"
“Yes I did as it
happens. What do you think?”
“I think it’s
possible. Do you want to see the figures?”
“Absolutely- just not
at the moment. What are your charges?”
“Reasonable. Do you
wish me to proceed as your agent?”
He was loving this. It was as close to
flirting as they had ever got. Yet both were perfectly serious about the
business.
Rhona wanted to know
if he could see it as a satellite of his own gallery but with less fine art and
more collectables, prints, glass and that sort of thing.
“I had considered
that possibility. You were thinking of Anna for the café I suppose?”
“If she wants it. If
you speak to Claus and can see it would complement your own gallery, then by
all means talk on my behalf or yours- or both of us - whatever."
She had unlocked her
car. Philip opened the door. “I’m glad I ran into you. I do like
it when clients are definite and refrain from dithering.”
She sniffed thinking: I’m
not your client yet buddy, besides you’re not being entirely honest with me. A
business partnership. That’s where you are heading. If not this gallery, then
something else. My answer is still the same.
She changed the
subject, describing how the young photographer Al had been in touch with her.
He was looking for advice on his exhibition at a place in Upper Queen St. She
was enthusiastic about the opportunity to support a young talent. Philip’s
response was luke-warm. “Your idealism is heart warming I must say.”
She engaged her seat
belt noting the cynical voice of experience. “Not to worry, you know I will be
advised by you- in these things at least.”
Philip laughed at the
coy look she threw up at him as she drove away, but he was thinking how little
he envied any of her advisors.
Rhona made it to
Thursday of that week only slightly behind her project target. She told Aunt Grace she
felt more like a machine than an artist, but received no sympathy. Rhona was
amused to hear her advocate a protestant work ethic as the ground for creative
expression.
By Friday morning, however, she was in overload. Philip was coming
that evening to make his final selection. One canvass remained unfinished. She
got up and organised to work, but after walking into her studio she went
straight out again.
Gracie was awake and planning to be out for the day so
Rhona decided she would go to see Al’s exhibition and come back to work in the
afternoon. While she was changing there was a phone call. Bill Egan, of all
people, wanted to see her today- off the 10.30 ferry. His voice was just the same. It had the same affect on her it always did and
she had a good hunch what was on his agenda. It had to be faced, for Philip if
not for herself. They agreed to meet at the Customs Coffee House at eleven.
Bill stood on the
corner of Queen and Customs St. He saw Rhona come out of the train station and
walk up to the lights at the intersection.
In an unhurried way she buttoned and belted her coat against the wind as
she walked. As she came over the crossing he reached out to her and she,
misinterpreting his movement, came forward to shake his hand as if it was a
business meeting. At the coffee shop she
introduced him to her friend, the manager. Bill caught a look pass between the
two women that was obviously a code encrypted message. They were shown to a
table out in the arcade.
Rhona kept the
conversation general. He noticed she avoided answering his questions about
herself or her circumstances. There were lots of subtle changes in her. For one
thing she seemed pretty well off now, going by her appearance anyway. He
watched the inside of her wrist being caressed by a wide Victorian chased
silver bracelet. Focused on the place where a blue vein crossed the tendon, he
realised with a shock that she didn’t cover her scars any more.
He decided to try a
different tack. “Grace told me you had moved. She gave me your new number. I
hope you didn’t mind.” He smiled, looking for the answering light in her eyes,
but it didn’t come. She did tell him she was sharing a house until the end of
the year. He already knew that. Grace had told him. It was hard work this small
talk but he asked where she would go after that.
She shrugged. She
hadn’t decided.
“You could live with
me.” He saw immediately he had timed it badly. She was still looking at him but
her eyes were clouded in a way he had never seen before. Her voice was flat when she said “You will
have to excuse me. I have another appointment shortly at the other end of Queen
St.”
Bill offered to walk
with her as far as Smith and Caughey’s. He joked about symptoms of retail
withdrawal and she seemed to go back to being relaxed with him until he said “I
always loved walking with you.”
She stopped in the
middle of the footpath, stepping back from him. “Bill stop.” Her voice sounded
so tired. “It was in the past. This is now and it is different. I won’t go back
there.”
He was quietly insisted
that he wanted to give it another try.
She spread her arms
wide and dropped them to her sides, narrowly missing an elderly man passing
beside her. “Look. You don’t even know me. I’m just a screen you’re projecting
on to. I could be anyone. It would be hopeless – worse than hopeless.”
They stood at the
crossing. When the buzzer went he commented in a joking way. “Old Grace said you
would say no and I didn’t believe her.”
Rhona walked faster
across the diagonal thinking how unbelievable he was. Even after that ghastly business the other
weekend he was still discussing her with Grace. He obviously couldn’t see what
there was to get so het up about. It wouldn’t surprise her if he thought it was
a compliment- that he was prepared to take her back.
Outside the Smith and
Caughey’s menswear entrance she slowed down. “Take care. I guess I’ll
see you at Grace’s opening.”
Bill walked on a couple
of paces beside her, glancing at the window. Suddenly his arm snapped out and
he held her back. “Hold on just a minute.” He was staring at the window
display. The main backdrop was a huge panoramic photo in a landscape format. It
was made to fit the whole height and width of the space.
The picture was taken
on the beach at Russell. There was a dinghy beached on the shingle. Beside it
was a tattooed man, about forty, in a dinner suit. In his arms he held a woman
as if he had just swept her from the boat. She was wearing a deep purple velvet
evening dress. An ornate jeweled collar emphasised the plunging scalloped
neckline. Her tousled curly red hair was caught up in a velvet ribbon and flew
out around her as she gazed adoringly into the eyes of her rescuer.
In front of
this panorama stood a clear Perspex T-shaped form, on which the dress was
displayed artistically. The full train of the gown spread a purple stain across
the floor. Beside it was an ivory show card with the legend “Life Begins at 40” in large black
letters. In smaller type was the statement “Le
Domino Noir, the Ultimate Collection. Exclusive in New Zealand to Smith and
Caughey.”
He wasn’t sure how
long he stood there before she tugged away, but he held her fast, saying over
her head “It’s just like before isn’t it? You can’t fake the look that guy has
on his face lady, even with the war paint on. Do you call that “drawing from
the life” too?”
“Let me go Bill. It’s
just advertising for a dress.”
“The hell it is.
Well, now I know how you earn your money it all starts to make sense.” He
released her arm. “See you Rhona. I’m glad you rediscovered you’re true
career.” He spun around and went in to the shop, leaving her standing there.
She stormed up Queen
St, arriving breathless and still livid. Al was waiting for her and saw
immediately something was wrong. She made a face and said it was ironic that
the first picture she should see as she came in was his Folie Bergere. Smiling she told the other young guy there how much
she wished all men were as sensitive as Al. Both boys had a laugh with her
about it before they moved on to talk about their work. She stayed about an
hour to share ideas with them, before heading home to finish her own.
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